This vision is a dream narrative, things transform. For instance the 7 lamps, which represented 7 churches became 7 lamps of God’s spirit in the following chapter. Now in this chapter they become 7 eyes of the slain lamb, Jesus, his spirit, going out to the end of the earth.
It’s gone from a quite workaday briefing on the state of specific and identifiable churches to this eternal vision of… of…
Love. The drama of this chapter concerns a scroll, in the hands of the one who is on the throne at the centre of the vision. It is the script of the apocalypse I suppose, the end point of time. The narrator weeps because no one is worthy to open it until the lion of Judah, the root of David, the slain lamb appears.
The 24 elders and the four beasts are joined by thousands of heavenly hosts singing and proclaiming that the lamb is worthy to open it. Amen!
I find this a very hopeful message today: God’s got the future. No matter what the scroll dictates, the god who is not only the glorious creator, but sacrificed himself for me to prove his love, is running it. It’s the father’s scroll and the son’s process. The son who died a criminal human on the cross.
The contrast of the slain lamb with all the power and splendor of the creator says it all about my God. Approachable? What could be less threatening than a lamb, sacrificed for me?
I need to put my faith in that God in a practical sense. Maybe it’s waking up after a day of flu feeling a bit better rested, but it’s cheered me up. Revelation has layers of weird imagery, but at base it’s not subtle, it’s hitting you over the head with simple messages. God is love, and God’s got the future. It’s going to be ok.
And I can’t not hear Handel’s music when I read this. I thought it was stodgy as a child, that Handel would take two or three phases and repeat them for the length of a song. However today, relating it to the vision in revelation, it makes sense to me.
For instance in the last chapter the 24 elders lay down their crowns before the throne (beautiful) and continually praise God. In this chapter everyone gets a harp to accompany a song about the worthiness of the lamb.
It implies music that stays eternally in one place, and maybe that’s what Handel was aiming for. Music of heaven! Blissful pop earworms that lodge in your head for days, for life really.